Sometimes, colloquial expressions are used in the target text in the fragments where they are absent in the source text. The colloquial style of the language and the regional expressions from the Southern Brazil present in the source text are translated into Polish using colloquial expressions and, rarely, neutral ones. It can be concluded that the role of the Polish translator Wojciech Charchalis is fundamental in the introduction of a Brazilian novel into the Polish literary system, as he is the one who chooses the novel, translates it and publishes it. The ideas of Lawrence Venuti (1995 1988), Antoine Berman (2002, 2012 ), Andrew Chesterman (2009) and Paulo Henriques Britto (2010) are equally used. The works in the field of Descriptive Translation Studies are explored, especially the contributions of Itamar Even-Zohar (1990), Gideon Toury (1995), James Holmes (1988), Theo Hermans (1985), Susan Bassnett (2002 1998), and André Lefevere (1985 1992a 1992b). The analysis of the Polish translation of the novel and the Brazilian corresponding text is based on the model of describing literary translations elaborated by José Lambert and Hendrik van Gorp (1985).
The role of the translator is also examined in the process of introduction of a Brazilian novel into the Polish literary system. The main objective is to analyze the orality present in the novel, especially proper names and vocative case, nonstandard language, colloquial expressions, regional expressions and swear words. The Polish translation, Broda zalana krwią, made by Wojciech Charchalis was published in 2016 by Rebis, in Poznań. The novel was published in 2012 by Companhia das Letras, in São Paulo. The aim of this dissertation is to make a descriptive analysis of the translation into Polish of the novel Barba ensopada de sangue by Brazilian Daniel Galera.
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